{"title":"Rare Gems","description":"","products":[{"product_id":"pia","title":"Pia","description":"Christopher Anderson’s first child, Atlas, was born in 2008. He began photographing that experience in a completely organic and naive way. It was the natural action of a new father trying to stop time and not let one drop of the experience slip through. As a photographer, he had never photographed his own personal life. It never occurred to him that these photographs would be part of his “work”. They were external from what he considered his Photography. He was about two years into making those photographs when it dawned on Anderson that these photographs were, in fact, his life’s work and that everything he had done up to that point was a preparation for making those pictures.  They became the book, SON, published in 2012 which portrayed a moment in time in Williamsburg Brooklyn, post 911 and the 2008 economic crash when artist lofts still made up the community before the luxury condos squashed the landscape.  \u003cem\u003ePia\u003c\/em\u003e could be called the spiritual sequel to that book. But this time, it marks a new era and search for hope in the Trump\/ COVID19 reality. This time, Anderson’s daughter, Pia, is the protagonist and muse, and the backdrop is his French family’s return to Paris (Anderson became a naturalized French citizen in 2018). “The images portray a father-daughter relationship as well as a photographer-subject collaboration as Pia takes control of her character. 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And yet as much as a historical document this book is an exercise in curiosity, presenting a radically democratising portrait of the United Kingdom in which individuals, buildings and natural scenes are imbued with Hawkesworth's generous and dignifying eye.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Jamie Hawkesworth","offers":[{"title":"Default Title","offer_id":50447006695729,"sku":"","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/1191\/8641\/files\/Hawkesworth_The_British_Isles_Cover.jpg?v=1734024601"},{"product_id":"sealskin","title":"Sealskin","description":"\u003cp\u003eJeff Dworsky dropped out of school at 14, bought a Leica at 15, and moved to a small island in Maine at 16.\u003c\/p\u003e\n\u003cp\u003eHe became a fisherman.\u003c\/p\u003e\n\u003cp\u003eHe met a girl, got married, and moved to an even smaller island.\u003c\/p\u003e\n\u003cp\u003eHe built a life.\u003c\/p\u003e\n\u003cp\u003eHe dug a well. 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It is an experience hidden in the invisible weight of opposites – the collision of the old and the new world, the social and the personal, empathy and intellection, the immemorial and factual remembrance of things.\u003c\/p\u003e\n\u003cp\u003eAs if packed and stored within a piece of luggage, these images, or fragments of living, represent layers of memory – the memorial, the immemorial, and the everyday. 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This world doesn’t much nurture silence, but it’s still out there, a stealth force, a glacier, and in the places it lives it can hear things coming from a long way away.\u003c\/p\u003e","brand":"Ian Bates","offers":[{"title":"Default Title","offer_id":50761577857329,"sku":"","price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/1191\/8641\/files\/Bates_Ian_Meadowlark_01.jpg?v=1755032407"},{"product_id":"liquid-night","title":"Liquid Night","description":"\u003cp\u003eThe images in Bill Henson’s cinematic new book The Liquid Night, derive from work the highly acclaimed artist shot on 35mm colour negative film in New York City in 1989. 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The gin and tonic they would bring you like a ritual, the sacrament of an old-time religion, and the way they would shift you so that Tony Bennett could be closer to the piano which he was obsessed by. And then you would make your way back to the Algonquin and at midnight (because they closed the doors then) you would have to be let in by the bellhop whose hair turned grey, then white and Matilda the cat who endured everlastingly, through the autumn of an age into the winter of senescence.\u003c\/p\u003e\n\u003cp\u003e\"Originally there had been the idea of a collage work but now in The Liquid Night there are the pages with the images that have their own bygone intelligibility. Sometimes they are composed by a principle of magnification. But it was only in the last few years that Bill Henson realised how they could be exhibited. He came to love the detail, the iconoclasm of these images and the way they converged on each other. At first, nothing came into his head. But it gradually became clear that he had to show the negatives for the imprint of the life that once was. He moved around images, sometimes in extreme closeup and discovered, one more time, that it was the unbelievable beauty of film that he set out to reproduce. It included a version of the familiar Francis Bacon epiphany: the finding of the artist’s own characteristic and self-defining shape. And the form that familiar apparition took was a wild extremity of nostalgia, the kind of nostalgia that haunts Tarkovsky and is intensely and fathomlessly serious. Bradley’s jazz bar is no more and only the ghostly outline is left and is forever inseparable from the sense of loss.\u003c\/p\u003e\n\u003cp\u003e\"It’s many years now since the art critic the late Peter Schjeldahl (who wrote so eloquently of Bill Henson’s work) began a lecture by announcing that Eric Fischl might just be the first great painter of the decline of American civilization. And that wry, all but whimsical pessimism, that bleak joke speaks to Bill Henson with the extraordinary uncanny sense of loss these images disclose. Where are the snows of yesteryear, where is anything, where is everything? It’s all gone, and the technology is gone. The very idiom of the world recollected in The Liquid Nighthas disappeared. The ads shown here are for cassette tapes. \u003cspan class=\"Apple-converted-space\"\u003e     \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"This is the work of a photographer of genius recreating the discardable mystery of his past.\"\u003c\/p\u003e","brand":"Bill Henson","offers":[{"title":"Default Title","offer_id":50793141469489,"sku":"","price":240.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/1191\/8641\/files\/Henson_Bill_TheLiquidNight_01.jpg?v=1750300947"},{"product_id":"los-angeles-spring","title":"Los Angeles Spring","description":"\u003cp\u003eHaving lived in Southern California during his university years, Robert Adams returned to photograph the Los Angeles Basin in the late 1970s and early 1980s, concentrating on what was left of the citrus groves, eucalyptus and palm trees that once flourished in the area. The pictures, while foreboding, testify to a verdancy against the odds. Featuring sumptuous quadratone plates, this greatly expanded and revised edition of a title originally published in 1986 reinvigorates one of Adams’ most influential and admired bodies of work.\u003c\/p\u003e","brand":"Robert Adams","offers":[{"title":"Default Title","offer_id":50796352602417,"sku":"","price":195.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/1191\/8641\/files\/Adams_Robert_Los_Angelos_Spring_01.jpg?v=1741727065"},{"product_id":"sons-of-the-living","title":"Sons of the Living","description":"\u003cp\u003eSons of the Living is a photobook about the land and people along the highways of America’s deserts. Photographed over the course of a decade in the American West’s arid and sweeping terrain, this work depicts a human capacity for endurance. Schutmaat offers an updated view of the “open road” that addresses a new era of uncertainty and anxiety. Amidst a backdrop of environmental decline, economic dispossession, and societal neglect, Sons of the Living draws attention to trouble on the road ahead and searches for our hope to withstand it.\u003c\/p\u003e","brand":"Bryan Schutmaat","offers":[{"title":"Signed","offer_id":51114738057521,"sku":"","price":275.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/1191\/8641\/files\/Schumaat_Bryan_SonsoftheLiving_01.jpg?v=1766163825"},{"product_id":"rust-belt","title":"Rust Belt","description":"\u003cp\u003e“Jack D. Teemer’s photographs taken in American Rust Belt cities during the 1980s examine the ways in which neighborhoods and urban infrastructure have been shaped by the industry that surrounds them. His pictures quietly celebrate the ways in which humans strive to live together in the shadow of manufacturing—even in its decline. \u003c\/p\u003e\n\u003cp\u003eCinematic vistas, presenting a wide view of a city’s urban structure, set the stage for pictures that focus more narrowly on neighborhoods and individual yards. Bridges and freeways loom over homes and restaurants; fences surround each home; signs, automobiles and gardens crowd each yard; children jump from porches and play with hoses. Although many of these yards have seen better days, the diverse residents of communities who call them home cultivate and enliven their small plots of land. Teemer records these distinctive American Rust Belt stories, from the cities on the verge of economic and civic recovery to the families who live boisterously in close quarters, with great care for the human experience.” — From the Introduction by Lisa Sutcliffe, Herzfeld Curator of Photography and Media Arts, Milwaukee Art Museum`\u003c\/p\u003e\n\u003cp\u003eJack D. Teemer (1948–1992) photographed working-class neighborhoods in cities like Cincinnati, Columbus, Cleveland, and Dayton, often focusing on residential backyards. This intimate approach affords the viewer insight to various societal factors such as economic conditions and zoning, as well as revealing how individuals in dense neighborhoods shape their own private spaces through landscaping and decoration. \u003c\/p\u003e\n\u003cp\u003eIn the early 1980s, Teemer joined an expanding group of practitioners who embraced color photography, and challenged the notion that it was somehow subservient to black-and-white photography. 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Coming in the wake of Charlie Curran’s documentary See Know Evil which sought to unravel the photographer’s complex legacy, inextricably linked with a period in fashion known as ‘heroin chic’, the film and book pay tribute to the life of the prodigious fashion photographer, drawing renewed focus on the mark he has left. \u003c\/p\u003e","brand":"Davide Sorrenti","offers":[{"title":"Default Title","offer_id":51346079023409,"sku":"","price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/1191\/8641\/files\/DavideSorrenti-Argueske1_1728x_c7556407-397c-48bd-88df-c3449038519b.jpg?v=1747147759"},{"product_id":"dogs-chasing-my-car-in-the-desert","title":"Dogs Chasing My Car in the Desert","description":"\u003cp\u003e'From 1995 to 1998, I worked on a series of photographs of isolated houses in the desert at the east-end of the Morongo Valley in Southern California. As I meandered through the desert, a dog would occasionally chase my car. 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