{"title":"The Moving Image","description":"","products":[{"product_id":"byways","title":"Byways","description":"\u003cp\u003e\u003cem\u003eByways\u003c\/em\u003e is the first monograph by the legendary Oscar-winning cinematographer Sir Roger A Deakins, best known for his collaborations with directors such as the Coen brothers, Sam Mendes and Denis Villeneuve. 'Byways' includes previously unpublished black-and-white photographs spanning five decades, from 1971 to the present. After graduating from college Deakins spent a year photographing life in rural North Devon, in South West England, on a commission for the Beaford Arts Centre; these images are gathered here for the first time and attest to a keenly ironic English sensibility, also documenting a vanished postwar Britain. A second suite of images expresses Deakins’ love of the seaside. Traveling for his cinematic work has allowed Deakins to photograph landscapes all over the world; in this third group of images, that same irony remains evident.\u003c\/p\u003e","brand":"Roger Deakins","offers":[{"title":"Default Title","offer_id":48115932496177,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/1191\/8641\/files\/Deakins_Roger_Byways_001.jpg?v=1705347154"},{"product_id":"life-dances-on-robert-frank-in-dialogue","title":"Life Dances On: Robert Frank in Dialogue","description":"\u003cp\u003eThis volume, published in conjunction with the artist’s first solo exhibition at the Museum of Modern Art, New York, provides new insights into the interdisciplinary and lesser-known aspects of Robert Frank’s expansive career. The exhibition explores the six decades that followed his landmark photobook The Americans, a period in which Frank maintained an extraordinarily multifaceted practice characterized by perpetual experimentation across mediums and artistic and personal dialogues with other artists and with his communities. Coinciding with the centennial of his birth, this catalog takes its name from the artist’s poignant 1980 film, Life Dances On, in which Frank reflects on the individuals who have shaped his outlook.\u003c\/p\u003e\n\u003cp\u003eThe lushly illustrated publication features photographs, films, books and archival materials, layered with quotes from Frank on his influences and process. Three scholarly essays, excerpts from previously unpublished video footage and a rich visual chronology together explore Frank’s ceaseless creative exploration and observation of life.\u003c\/p\u003e","brand":"Robert Frank","offers":[{"title":"Default Title","offer_id":50647175430449,"sku":"","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/1191\/8641\/files\/Frank_Robert_LifeDancesOn_01.jpg?v=1737659117"},{"product_id":"salters-cottages","title":"Salters Cottages","description":"\u003cp\u003eDedicated to his friend and mentor Peter Hujar, Salters Cottages is an artist’s book of stills from a short film Schneider made in 1981 at Salters Cottages, a summer seaside cottage community on Long Island, New York. It is a fifteen and a half minute 16mm film, with a Bell and Howell projector soundtrack. An homage to Jean Genet’s Un Chant d’Amour (1950), Salters Cottages features Peter Hujar, John Erdman, Suzanne Joelson and Gary Stephan as the voyeurs and the observed.\u003c\/p\u003e","brand":"Gary Schneider","offers":[{"title":"Default Title","offer_id":50796276842801,"sku":"","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/1191\/8641\/files\/Schneider_Gary_Salters_Cottages_Cover.jpg?v=1741725697"},{"product_id":"failing","title":"Failing","description":"\u003cp\u003eMike Brodie’s first monograph, \u003cem\u003eA Period of Juvenile Prosperity\u003c\/em\u003e touched down more than a decade ago, depicting his fellow rail-riders and drifters in a rebellious and wildfire pursuit of adventure and freedom. “Brodie leapt into the life of picture-making as if he was the first to do it,” Danny Lyon wrote about the book in Aperture. Next came \u003cem\u003eTones of Dirt and Bone\u003c\/em\u003e, a collection of earlier SX-70 pictures Brodie made when photography first led him to hopping freights, when he was known as “The Polaroid Kidd.” And then Brodie seemed to disappear from the art world as suddenly and mysteriously as he’d first appeared. Maybe his vanishing was another myth. Maybe it was just a necessary retreat. “I was divorcing myself from all that,” he says. “I was growing up. I was pursuing this other life.”\u003c\/p\u003e\n\u003cp\u003eIn Nashville he became a diesel mechanic. Fell in love. Moved across the country again. Got married. Bought land on the long dusty Winnemucca road Johnny Cash sang about. Started his own business. Built a house. Put down roots. And when that life exploded, the open road called again. Throughout almost all of it, his cameras were with him, and at last those pictures are coming to light.\u003c\/p\u003e\n\u003cp\u003eIf Michael Brodie’s first monograph was a cinematic dream, \u003cem\u003eFailing\u003c\/em\u003e is the awakening and the reckoning, a raw, wounded, and searingly honest photographic diary of a decade marked by love and heartbreak, loss and grief — biblical in its scope, and in its search for truth and meaning. Here is the flip side of the American dream, seen from within; here is bearing close witness to the brutal chaos of addiction and death; here are front-seat encounters with hitchhikers and kindred wanderers on society’s edges, sustained by the ragtag community of the road. Failing often exists in darkness but is tuned to grace. Brodie’s eye stays forever open to the strange and fleeting beauty that exists in forgotten places — the open country and the lost horizons that sweep past dust-spattered windows in a spectral blur.\u003c\/p\u003e\n\u003cp\u003e\"Looking back, it's as if it never really happened. I was never a photographer holding a camera but a vessel to tell a story. It's like it all existed within a dream, and this is just God's plan for my life.\"\u003c\/p\u003e","brand":"Michael Brodie","offers":[{"title":"Default Title","offer_id":50995016204593,"sku":"","price":85.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/1191\/8641\/files\/Brodie_Michael_Failing_01.jpg?v=1742491905"},{"product_id":"i-shall-sing-these-songs-beautifully","title":"I shall sing these songs beautifully","description":"\u003cp\u003eYorgos Lanthimos’s filmography, lauded for its ambitious world-building and absurdist explorations of human relations, has established him as one of the most distinctive auteurs in contemporary cinema.\u003cspan\u003e \u003c\/span\u003ei shall sing these songs beautifully draws on his renowned visual language to tell a haunting new story through photographs Lanthimos made on the set of his latest feature,\u003cspan\u003e \u003c\/span\u003eKinds of Kindness (2024), inhabiting an ambiguous space between the real locations of New Orleans and the otherworld of cinema. Interwoven throughout are new texts by Lanthimos which evoke the fragmented lyricism of Sappho, from whose poetry the book takes its title.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLanthimos makes all his photography, both still and moving, on analogue film, relishing the creative intimacy the medium involves. These previously unseen colour and black-and-white images became a part of the formation of his new film's world. Here, they become fragments that elaborate an entirely new story, rich with the tensions and unsettling atmospheres that Lanthimos has made his own.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Yorgos Lanthimos","offers":[{"title":"Default Title","offer_id":50995465027889,"sku":"","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/1191\/8641\/files\/Lanthimos_Yorgos_IShallSingtheseSongsBeautifully_01.jpg?v=1742495158"},{"product_id":"the-atmosphere-of-crime","title":"The Atmosphere of Crime, 1957","description":"\u003cp\u003eWhen \u003cem\u003eLife\u003c\/em\u003e magazine asked Gordon Parks illustrate a recurring series of articles on crime in the United States in 1957, he had already been a staff photographer for nearly a decade, the first African American to hold this position. Parks embarked on a six-week journey that took him and a reporter to the streets of New York, Chicago, San Francisco and Los Angeles. Unlike much of his prior work, the images made were in color. The resulting eight-page photo-essay “The Atmosphere of Crime” was noteworthy not only for its bold aesthetic sophistication, but also for how it challenged stereotypes about criminality then pervasive in the mainstream media. They provided a richly-hued, cinematic portrayal of a largely hidden world: that of violence, police work and incarceration, seen with empathy and candor.\u003c\/p\u003e\n\u003cp\u003eParks rejected clichés of delinquency, drug use and corruption, opting for a more nuanced view that reflected the social and economic factors tied to criminal behavior and a rare window into the working lives of those charged with preventing and prosecuting it. Transcending the romanticism of the gangster film, the suspense of the crime caper and the racially biased depictions of criminality then prevalent in American popular culture, Parks coaxed his camera to do what it does best: record reality so vividly and compellingly that it would allow Life’s readers to see the complexity of these chronically oversimplified situations. \u003cem\u003eThe Atmosphere of Crime, 1957\u003c\/em\u003e includes an expansive selection of never-before-published photographs from Parks’ original reportage.\u003c\/p\u003e","brand":"Gordon Parks","offers":[{"title":"Default Title","offer_id":51224543297841,"sku":"","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/1191\/8641\/files\/Parks_Gordon_TheAtmostphereofCrime_01.jpg?v=1743875049"},{"product_id":"small-death","title":"Small Death","description":"\u003cp\u003e\u003cem\u003eSmall Death\u003c\/em\u003e collects photographs made by the artist Martha Naranjo Sandoval over her first years living in New York after emigrating from Mexico City. Shaped around Naranjo Sandoval’s original contact sheets and film reels, it comprises an artist’s book unfolding in tactile and iterative form. Sandoval’s work moves between streetscapes, nude self-portraits, compositions of found forms, and tender photographs of her family, all suffused with a sensitivity to the ways in which the artist’s surroundings, loved ones, and home continuously shape her sense of self and belonging. The artist’s husband, parents, and siblings are pictured in their homes as well as in more dislocating rural and urban landscapes between the US and Mexico, tracing a continuum between displacement and rootedness. Meanwhile close-up self-portraits, interspersed throughout, act as registers of the determined introspection that anchors this powerful exploration of the image sequence and book form as means of physical and sensual expression.\u003c\/p\u003e","brand":"Martha Naranjo Sandoval","offers":[{"title":"Default Title","offer_id":51911317389617,"sku":null,"price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/1191\/8641\/files\/43c12c7f-f1c5-4922-b89d-670b7d820389.jpg?v=1759942150"},{"product_id":"l-a-polaroids","title":"L.A. Polaroids","description":"\u003cp\u003eIn the 1980s, the acclaimed Dutch cinematographer Robby Müller spent months at a time away from home, collaborating with renowned directors such as Alex Cox and Wim Wenders to create some of the decade’s most influential films such as \u003cem\u003eRepo Man\u003c\/em\u003e,\u003cem\u003e Paris, Texas,\u003c\/em\u003e \u003cem\u003eBarfly and \u003c\/em\u003e\u003cem\u003eTo Live and Die in L.A..\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAfter long days on set, Müller stayed at the Kensington Motel in Santa Monica, a simple apartment hotel just behind Ocean Boulevard and steps from the beach. He liked its plain comforts: an ironing board folded into the wall, a coffee pot bubbling on the stove, Garfield the hotel cat who kept him company. It felt familiar, not just a place to pass through. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHe always carried his SX-70 Polaroid camera, making tender images when work paused, bringing what William Friedkin called “a foreigner’s eye” to America: noticing details others missed, avoiding clichés, always returning to light and colour as his true subjects. In these Polaroids, Müller frames a Los Angeles that no longer exists: small rooms, edges of the beach, street corners, a city built for cars seen by a cinematographer who preferred to walk. They reveal a man far from home, looking for stillness and light in the spaces in between.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEdited and with an introduction by \u003cspan class=\"il\"\u003eAndrea Müller\u003c\/span\u003e-\u003cspan class=\"il\"\u003eSchirmer; \u003c\/span\u003edesigned by Linda van Deursen and expertly printed in Italy and bound as a uniquely flexible chopped linen soft-back, silk screened in a sun-kissed orange, it carries the warmth of Müller’s Los Angeles. Alongside Müller’s images are texts from his collaborators, including directors Alex Cox and Wim Wenders, and actor Willem Dafoe.\u003c\/p\u003e\n\u003cp\u003e\"What impressed me was he would see what no one saw – the origin, the presence, the vibration, the possibility of what was already there...\" - Willem Dafoe\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\"He had an eye for the light that the camera, and its film, loved.\" - Wim Wenders \u003c\/p\u003e","brand":"Robby Müller","offers":[{"title":"Default Title","offer_id":52967801225521,"sku":null,"price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/1191\/8641\/files\/91dd1937-8a3b-4c2e-a0cc-2109c25d1576.jpg?v=1772508440"},{"product_id":"puntas-abiertas","title":"Puntas Abiertas","description":"\u003cp\u003eLauren Oliver uses light as a language to delve into her own identity. She experiments with multiple analog processes using her body as the primary subject of her work. \u003cbr\u003e\u003cbr\u003e“\u003cem\u003ePuntas abiertas\u003c\/em\u003e translates to split ends, the brittle, dry, and oldest parts at the ends of our hair strands. Throughout my experience with a camera, I've consistently turned it towards myself, treating it like a mirror to reflect upon and reconcile my disparate parts. This inclination stems from a deep-seated need to piece together my identity, fueled by my mixed-race background and the perpetual feeling of not quite belonging entirely to one place\/or culture.\u003cbr\u003e\u003cbr\u003eIn recent years, as I've continued to photograph myself, I've come to recognize the profound symbolism encapsulated within the strands of hair that I've spent a significant portion of my life growing. My hair symbolizes resilience, endurance, and commitment. Much like the rings of a tree, it bears witness to my experiences, documenting my growth, challenges, and well-being.\u003cbr\u003e\u003cbr\u003eMy hair, in its split ends and its entirety, serves as a tangible link to my family and heritage, connecting me to generations past and the complex tapestry of my lineage.”\u003cbr\u003e-LO\u003c\/p\u003e","brand":"Lauren Noelle Oliver","offers":[{"title":"Default Title","offer_id":53373881942321,"sku":null,"price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/1191\/8641\/files\/a77487d9-da7f-4925-b170-6b9be1561480.jpg?v=1778107194"}],"url":"https:\/\/phtsdr.store\/collections\/the-moving-image.oembed","provider":"phtsdrstore","version":"1.0","type":"link"}